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Tribeca Festival 2026 Winner by Category

Tribeca Festival 2026 Sent Its Top Documentary Prize to a Prison Recording Studio in Cameroon

The 25th Tribeca Festival ran June 3–14, 2026. Its three top prizes went to an American addiction drama (Cotton Fever), a Canadian Inuk mystery set on a cargo freighter (Labrador – Autopsy of Silence), and a documentary about a recording studio inside an overcrowded Cameroonian prison (Jail Time Records). Labrador and Jail Time Records each won three awards. The audience narrative prize went to One Woman One Bra (Kenya/Nigeria). The audience documentary prize went to Mexicanaamerican. A$AP Rocky took Tribeca X Director of the Year. The complete verified winner list is below.

Year twenty-five usually means nostalgia. Tribeca chose the opposite. The festival ran June 3 through 14, 2026, and the curatorial signal was geographic expansion, not retrospective. The three biggest prizes went to an American addiction drama, a Canadian Inuk mystery on a cargo freighter, and a documentary about a recording studio built inside an overcrowded prison in Cameroon. That spread is not accidental, it’s the point.

What the Top three Winners Actually Are?

The Founders Award for Best U.S. Narrative Feature went to Cotton Fever, directed by Daniel Blake Schwartz. The film follows several groups of people struggling with addiction. The jury called it “a heartbreaking exploration of addiction and the difficulties of escaping its damaging effects.” It also took Best Cinematography in a U.S. Narrative Feature for Tom Acton Fitzgerald.

The International Narrative Competition went to Labrador – Autopsy of Silence, directed by Rodrigue Jean. It follows an Inuk mechanic suspected of murder on a cargo freighter. The jury, which included Nas and Mira Nair, praised it as “confidently crafted, spiritually mindful.” It won three awards total: Best International Narrative Feature, Best Performance for Christopher Angatookalook, and Best Cinematography for Mathieu Laverdière.

The Documentary Competition went to Jail Time Records, co-directed by Dione Roach and Steve Happi. The film tracks Africa’s first in-prison recording studio, built within an overcrowded prison in Cameroon. Inmates produce music that gets broadcast on local radio. The jury statement called it “a cry to be heard from the depths of incarceration, and we are listening.” It also won Best Cinematography in a Documentary Feature and the Albert Maysles Award for Best New Documentary Director.

The Other Awards That Matter

Summer of Three, from Puerto Rico, won two awards: Best Performance in a U.S. Narrative Feature for Marcel Ruiz, Paolo Schoene, and Kiki Montilla and Best Screenplay for Carlitos Ruiz-Ruiz, Marcel Ruiz, and Mariana S. Belaval. The jury said the actors made them “want to jump on the back of the motorcycle and careen across Puerto Rico.”

The Audience Awards, voted by actual ticket buyers, went to One Woman One Bra (narrative) and Mexicanaamerican (documentary). One Woman One Bra is a Kenya-Nigeria co-production. It also earned a Special Jury Mention in the Viewpoints section.

The Viewpoints Award itself went to Crocodile, a Nigeria-New Zealand co-production directed by The Critics and Pietra Brettkelly.

The Nora Ephron Award, for an exceptional female filmmaker, went to Dina Duma for Skateboarding Is Not for Girls, a North Macedonia-Belgium-Slovenia-Croatia co-production.

The Complete Winner List

Here is the full competition results, verified against The Hollywood Reporter (June 19, 2026), Vulture (June 12, 2026), Deadline (June 12, 2026) and the official Tribeca site.

U.S. NARRATIVE COMPETITION

INTERNATIONAL NARRATIVE COMPETITION

DOCUMENTARY COMPETITION

VIEWPOINTS

BEST NEW NARRATIVE DIRECTOR

ALBERT MAYSLES AWARD

NORA EPHRON AWARD

SHORTS

TRIBECA GAMES

TRIBECA PODCASTS

TRIBECA X

What This Actually Means

Tribeca programmed winners from at least fourteen countries this year. The top documentary prize went to a prison in Cameroon. The top international narrative went to an Inuk-language mystery on a freighter. The audience favorite in narrative came from Kenya and Nigeria. This is not a festival shrinking back to Lower Manhattan. It’s using its twenty-fifth year to screen films that most American audiences would not otherwise encounter.

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